The first film funded by centerframe
A winner in the making
We asked writers all over the world to send in 3-minute scripts, to compete for a £5000 budget prize to get their short-film made. The CenterFrame community voted to choose the winner - THE ATTENDANT, by Cypriot writer-director Stavros Pamballis. This diary follows the journey of making his script come to life.
Articles about screenwriting, collaboration and technical themes
Recommended for writers

May 18, 2023
Who's Afraid of the Big Bad AI?
AI is everywhere! From Midjourney to ChatGPT, and it is time to admit that artificial intelligence technologies are here to stay. But even before these chatty, artsy bots leapt into our lives, they ha...

May 17, 2023
How Does CenterFrame Fund Film & TV Projects?
CenterFrame makes funding available for scripts and films in a number of categories every three months - CenterFrame’s Funding Cycle.

March 20, 2023
Filmschool to Feature - Gonçalo Almeida Interview
Sundance-nominated and FantasticFest Winner Gonçalo Almeida joins Bernhard and expands upon how his writing/directing journey evolved as he went from film student to feature film director.

Make It Short
Representation Matters
And we are back! After a short break, we are finally here to do exactly what we love the most: watch short films and talk about them. This time around, we have brought two incredible and inspiring LGBTQ+ themed short films to discuss. As a gay film lover, I have always looked for queer representation on the screen, but that used to be a hard thing to find in the film industry as a whole.
Recommended for
Directors

New Live Monthly Event
Why start Script Club?
Luke Foster
Screenwriter & Development Executive
The practice of reading produced scripts is so actively encouraged and prevalent amongst screenwriters that I’m sure lots of writers enjoy doing a deep dive, ”under the hood” look at scripts as much as I do. So I always thought it would be both enjoyable and instructive to do this with others. And if book lovers can have book clubs, why can’t screenwriters have script clubs?